Ripple Music

Borracho deliver yet another sonic journey with the release of the follow up to 2023's Blurring the Lines of Reality, Ouroboros.

This is a pre-order and the album releases November 21st, 2025!

Wolftooth is a highly praised stoner metal band from Indiana, known for combining classic heavy metal influences with doom and stoner rock elements, drawing comparisons to bands like Black Sabbath and The Sword. They have been called "the best pure-blooded heavy metal band in the world right now" by Metal Hammer and are celebrated for their riff-driven sound, powerful drumming, and traditional heavy metal songwriting.

This is a pre-order and the album releases October 10th, 2025! 

For over a decade, STONEBIRDS have thrived on duality: the eternal tension between opposing forces, with melancholy as their guiding equilibrium. Now, with their fourth and final album "Perpetual Wasteland", the Breton trio distills their essence one last time: light against darkness, crushing weight against fragile levity, and a newfound undercurrent of renewal amidst the void.

Recorded at Studio La Briche with producer Cyrille Gachet (Fange, Year of No Light), the album marks a seismic shift in sound: incisive, extroverted, and meticulously layered, yet sharper than ever. Here, the band’s sludge-drenched doom collides with soaring post-metal grandeur, crafting an epitaph that is as nuanced as it is uncompromising.

Thematically, "Perpetual Wasteland" is a visceral meditation on collapse and transcendence. Drawing from haunting imagery of ecological decay, human isolation, and the elusive promise of deliverance, STONEBIRDS weave desperation into something strangely luminous. The riffs are tectonic, the melodies achingly sparse, each note a frayed thread in a tapestry of ruin. Yet within the chaos, there’s revelation: a fleeting brilliance, like light through cracked earth. This is the end, but not without fire

This is a pre-order and the album releases November 7th, 2025! 

Los Angeles - BLACK SABBITCH — the all-female powerhouse hailed as the most popular Black Sabbath tribute band in the world — has officially signed with heavyweight label Ripple Music. The band is set to release their highly anticipated live album "Unrest in the West" later this year to a global audience.

About the upcoming release, drummer Angie Scarpa comments: “Every night on tour, we make time to visit with fans, and the number one question we’re asked is ‘When will you make a live album we can buy’? So when Ripple Music came calling the only dilemma we faced was what to include. 13 years in, we have a huge catalog of material we play (enough for 8 records). We wanted to make a fun, hard-hitting record that felt like our live shows and not lean on the same old setlist you might hear from countless others. We hope you enjoy the selections”.

Formed in 2012 by acclaimed session drummer Angie Scarpa, Black Sabbitch quickly became a force to be reckoned with, recruiting an all-star lineup of musicians including Emily Burton (Fireball Ministry), Melanie Makaiwi (Penny Dreadfuls, Scarling), and Alice Austin (Zola Turn). Over the past decade, the band has captivated audiences worldwide, selling out shows and earning the respect of critics, fans, and fellow musicians alike.

Black Sabbitch has transcended the typical "tribute band" label, delivering electrifying performances that honor the spirit of Black Sabbath while adding their own unique energy and intensity. Their talent and dedication have earned them coveted spots at major festivals and events, including the inaugural Ozzfiesta at the personal invitation of Sharon and Ozzy Osbourne, performing at Cal Jam with Foo Fighters, and playing to a crowd of 80,000 at Wacken Open Air in Germany.

The band has also headlined Psycho Las Vegas and The Maryland Doom Fest, performed on The Kiss Kruise at the request of Paul Stanley, and collaborated with artists like Nick Zinner (Yeah Yeah Yeahs), Shepard Fairey, and Peaches. Critics have praised Black Sabbitch for their ability to capture the potency and swing of the original Sabbath catalog, with publications like LA Weekly, Times Union, and San Diego Reader calling their performances "captivating," "undeniable," and "spellbinding."

With their forthcoming live album "Unrest in the West", Black Sabbitch is poised to bring their stunning live experience to fans around the globe. Featuring deep cuts like "A National Acrobat" and "Wheels of Confusion", this is a must-have collection for Sabbath worshipers everywhere. 

This is a pre-order and the album releases November 7th, 2025! 

Los Angeles - BLACK SABBITCH — the all-female powerhouse hailed as the most popular Black Sabbath tribute band in the world — has officially signed with heavyweight label Ripple Music. The band is set to release their highly anticipated live album "Unrest in the West" later this year to a global audience.

About the upcoming release, drummer Angie Scarpa comments: “Every night on tour, we make time to visit with fans, and the number one question we’re asked is ‘When will you make a live album we can buy’? So when Ripple Music came calling the only dilemma we faced was what to include. 13 years in, we have a huge catalog of material we play (enough for 8 records). We wanted to make a fun, hard-hitting record that felt like our live shows and not lean on the same old setlist you might hear from countless others. We hope you enjoy the selections”.

Formed in 2012 by acclaimed session drummer Angie Scarpa, Black Sabbitch quickly became a force to be reckoned with, recruiting an all-star lineup of musicians including Emily Burton (Fireball Ministry), Melanie Makaiwi (Penny Dreadfuls, Scarling), and Alice Austin (Zola Turn). Over the past decade, the band has captivated audiences worldwide, selling out shows and earning the respect of critics, fans, and fellow musicians alike.

Black Sabbitch has transcended the typical "tribute band" label, delivering electrifying performances that honor the spirit of Black Sabbath while adding their own unique energy and intensity. Their talent and dedication have earned them coveted spots at major festivals and events, including the inaugural Ozzfiesta at the personal invitation of Sharon and Ozzy Osbourne, performing at Cal Jam with Foo Fighters, and playing to a crowd of 80,000 at Wacken Open Air in Germany.

The band has also headlined Psycho Las Vegas and The Maryland Doom Fest, performed on The Kiss Kruise at the request of Paul Stanley, and collaborated with artists like Nick Zinner (Yeah Yeah Yeahs), Shepard Fairey, and Peaches. Critics have praised Black Sabbitch for their ability to capture the potency and swing of the original Sabbath catalog, with publications like LA Weekly, Times Union, and San Diego Reader calling their performances "captivating," "undeniable," and "spellbinding."

With their forthcoming live album "Unrest in the West", Black Sabbitch is poised to bring their stunning live experience to fans around the globe. Featuring deep cuts like "A National Acrobat" and "Wheels of Confusion", this is a must-have collection for Sabbath worshipers everywhere. 

This is a pre-order and the album releases November 21st, 2025.

Stone Nomads is an American Metal power trio based in Houston TX. The band, formed by Jon Cosky (Guitar/Vocals) and Jude Sisk (Bass/Vocals) in 2021, incorporates the sounds of early Doom Metal, modern Sludge Metal and all things heavy. Conceptually, the music explores the journey of life and death through the heavier and darker side of things, delivered via sludged-out, powerful riff-based sonics.


Influences range from Sabbath, Trouble and Candlemass to Crowbar, Conan, Obituary and all things in between. Stone Nomads have released 2 albums and 2 EP's, which have featured notable collaborations with both Esben Willems (Monolord), and vocalist Kyle Thomas (Exhorder, Trouble). The band has shared the stage with Soulfly, Crowbar, The Obsessed, Eyehategod, Bobby Liebling, Cirith Ungol, Khemmis, Spirit Adrift, Elder, Mothership, among others.

A new breed of sonic, sludge-laden force from the mixed temperate rainforest and concrete jungle of Portland, Oregon has arrived! With a love for all that is brutal and nerdy from Dungeons & Dragons to cult horror films, extreme metal and video games, and a shared hatred of dehumanization and groupthink, VIRAL TYRANT's influences of classic Pacific Northwestern doom, sludge, thrash, black metal, doom, grunge, prog, and more have been woven cohesively together to forge a sound of complex, yet grounded blackened, psychedelic sludge. Sure to satisfy any headbanger, their goal is simple: spread their strain of metal for all to enjoy.

A new breed of sonic, sludge-laden force from the mixed temperate rainforest and concrete jungle of Portland, Oregon has arrived! With a love for all that is brutal and nerdy from Dungeons & Dragons to cult horror films, extreme metal and video games, and a shared hatred of dehumanization and groupthink, VIRAL TYRANT's influences of classic Pacific Northwestern doom, sludge, thrash, black metal, doom, grunge, prog, and more have been woven cohesively together to forge a sound of complex, yet grounded blackened, psychedelic sludge. Sure to satisfy any headbanger, their goal is simple: spread their strain of metal for all to enjoy.

The sonic bulldozer Terromania was formed in the summer of 2018 in Jyvaskyla, Finland to deliver intense, dynamic and ambitious modern Metal influenced by artists such as Lordi, Devin Townsend, Van Halen and Ghost, while also taking inspiration from modern pop and jazz and adding a fresh perspective to the genre.

The sonic bulldozer Terromania was formed in the summer of 2018 in Jyvaskyla, Finland to deliver intense, dynamic and ambitious modern Metal influenced by artists such as Lordi, Devin Townsend, Van Halen and Ghost, while also taking inspiration from modern pop and jazz and adding a fresh perspective to the genre.

Kicking off the newest Ripple series, Beneath the Desert Floor -- uncovering lost treasures and gems from the early days of stoner/desert/doom rock. Albums that may have been lost to time, perhaps never had the opportunity for a vinyl pressing, and never had the benefit of digital presence and social media. Let's unearth some of these gems and freshen them up for a new generation of heavy rock fans.


The Awesome Machine were a classic hard rock/metal band from Sweden. The band formed in 1996. Recorded their selftitled 10" with producer Roberto Laghi. After that Stefan Magnusson left the band and was replaced by Anders Wenander. With this lineup they recorded the cult demo (Doom, disco, dope, death and love) which gave them a contract with german label "People Like You". They recorded "it's Ugly or nothing" 2000 with King Diamond guitarist Andy La Rocque (who also played slide guitar on the track No Share). Other guest musicians were Anders Timmerås (keyboard on No Share) and Jörgen Petterson (harmonica on How am I to knew).

Since their formation in 2011, Gin Lady has quietly carved out their own space in the rock world, one where the echoes of classic ’70s rock are alive and well, but still very much alive in their own hands. Hailing from northern Sweden, the band has always been about more than just the music. It’s about the vibe—the tight harmonies, the groove, and that unmistakable chemistry between the four of them. Their catalogue up to now, including ‘Gin Lady’ (2011), ‘Mother’s Ruin’ (2013), ‘Call the Nation’ (2015), ‘Electric Earth’ (2017), ‘Tall Sun Crooked Moon’ (2019), and ‘Camping with Bohdi’ (2021), has been a steady evolution. Each album feels like a step forward, but it never loses that reckless charm that makes their sound so compelling.

With their new album ‘Before The Dawn of Time’ set for release in February 2025, Gin Lady is finally letting us in on what’s coming next—and ‘The Paramount’ is just the tip of the iceberg. If this track is any indication, this might be the band’s boldest statement yet. Recorded live at Sweden’s revered Svenska Grammofonstudion, ‘The Paramount’ takes everything we know and love about Gin Lady and tightens it up, while adding new layers of texture and complexity. It’s a little more psychedelic, a little more expansive, but still rooted in that same raw, earthy sound that made us fall in love with them in the first place.

SoftSun is the result of a divine collaboration between very unique and visionary musicians. Pia Isaksen and Gary Arce along with Dan Joeright come from opposite sides of the world. Vocalist and bass player Pia Isaksen grew up in Norway, while Gary Arce and drummer Dan Joeright are based in the Southern California Mojave desert.

The environments they occupy are evident in the beautifully heavy yet ethereal sound of this band. Arce’s dreamscaping cinematic guitar work gives a stark contrast of balance to the heavy melodic bass driven compositions. Pia’s voice, ethereal in nature, levitates the sound and brings a dreamlike shoegaze quality to the songs. Cocteau Twins, True Widow, Yawning Man, Diiv would be appropriate reference points for this unique approach to songwriting.

Since their formation in 2011, Gin Lady has quietly carved out their own space in the rock world, one where the echoes of classic ’70s rock are alive and well, but still very much alive in their own hands. Hailing from northern Sweden, the band has always been about more than just the music. It’s about the vibe—the tight harmonies, the groove, and that unmistakable chemistry between the four of them. Their catalogue up to now, including ‘Gin Lady’ (2011), ‘Mother’s Ruin’ (2013), ‘Call the Nation’ (2015), ‘Electric Earth’ (2017), ‘Tall Sun Crooked Moon’ (2019), and ‘Camping with Bohdi’ (2021), has been a steady evolution. Each album feels like a step forward, but it never loses that reckless charm that makes their sound so compelling.

With their new album ‘Before The Dawn of Time’ set for release in February 2025, Gin Lady is finally letting us in on what’s coming next—and ‘The Paramount’ is just the tip of the iceberg. If this track is any indication, this might be the band’s boldest statement yet. Recorded live at Sweden’s revered Svenska Grammofonstudion, ‘The Paramount’ takes everything we know and love about Gin Lady and tightens it up, while adding new layers of texture and complexity. It’s a little more psychedelic, a little more expansive, but still rooted in that same raw, earthy sound that made us fall in love with them in the first place.

Since their formation in 2011, Gin Lady has quietly carved out their own space in the rock world, one where the echoes of classic ’70s rock are alive and well, but still very much alive in their own hands. Hailing from northern Sweden, the band has always been about more than just the music. It’s about the vibe—the tight harmonies, the groove, and that unmistakable chemistry between the four of them. Their catalogue up to now, including ‘Gin Lady’ (2011), ‘Mother’s Ruin’ (2013), ‘Call the Nation’ (2015), ‘Electric Earth’ (2017), ‘Tall Sun Crooked Moon’ (2019), and ‘Camping with Bohdi’ (2021), has been a steady evolution. Each album feels like a step forward, but it never loses that reckless charm that makes their sound so compelling.

With their new album ‘Before The Dawn of Time’ set for release in February 2025, Gin Lady is finally letting us in on what’s coming next—and ‘The Paramount’ is just the tip of the iceberg. If this track is any indication, this might be the band’s boldest statement yet. Recorded live at Sweden’s revered Svenska Grammofonstudion, ‘The Paramount’ takes everything we know and love about Gin Lady and tightens it up, while adding new layers of texture and complexity. It’s a little more psychedelic, a little more expansive, but still rooted in that same raw, earthy sound that made us fall in love with them in the first place.

Temple of Discord began as Mattias Marklund's personal creative outlet in 2017. Mattias was writing songs for Aska (later known as Wytch) at the time, but some compositions felt too personal and diverged from the band's established style. Rather than setting those tracks aside, he channeled them into a solo project, which would eventually become Temple of Discord. With the help of drummer Benny Hägglund (Vintersorg, Fission), Mattias recorded the first demo track, "The Calling". While he had been playing guitar in bands since the late 1980s, this marked the first time he stepped into the vocalist role, adding another layer of intimacy and individuality to his music.

Fast forward to the pandemic years: Wytch entered a period of dormancy, and fellow guitarist Niklas Viklund revisited Mattias's Temple of Discord material. Struck by the strength and uniqueness of the songs, Niklas encouraged Mattias to transform the project into a full-fledged band. The two quickly brought in bassist Jon Ericson Warnoff, with whom Niklas had previously played in Stardog. Recognizing Jon’s chemistry and talent, they knew he was the perfect fit for the group. With Benny unavailable due to scheduling conflicts, the search began for a drummer who could complete the lineup. They found their match in Peter Melender, whom Mattias’s father recommended as "the best goddamn drummer in town." With the lineup solidified, Temple of Discord was ready to take the next step.

Temple of Discord entered the studio and recorded several tracks that caught the attention of Ripple Music CEO Todd Severin, who signed them for the February 2025 release of their studio debut album "In The Ashes". A new gate of heaviness has opened...

TEMPLE OF DISCORD is
Mattias Marklund - Vocals and Guitars
Jon Eriksson Warnoff - Bass
Peter Melender - Drums
Niklas Viklund - Guitars 

Temple of Discord began as Mattias Marklund's personal creative outlet in 2017. Mattias was writing songs for Aska (later known as Wytch) at the time, but some compositions felt too personal and diverged from the band's established style. Rather than setting those tracks aside, he channeled them into a solo project, which would eventually become Temple of Discord. With the help of drummer Benny Hägglund (Vintersorg, Fission), Mattias recorded the first demo track, "The Calling". While he had been playing guitar in bands since the late 1980s, this marked the first time he stepped into the vocalist role, adding another layer of intimacy and individuality to his music.

Fast forward to the pandemic years: Wytch entered a period of dormancy, and fellow guitarist Niklas Viklund revisited Mattias's Temple of Discord material. Struck by the strength and uniqueness of the songs, Niklas encouraged Mattias to transform the project into a full-fledged band. The two quickly brought in bassist Jon Ericson Warnoff, with whom Niklas had previously played in Stardog. Recognizing Jon’s chemistry and talent, they knew he was the perfect fit for the group. With Benny unavailable due to scheduling conflicts, the search began for a drummer who could complete the lineup. They found their match in Peter Melender, whom Mattias’s father recommended as "the best goddamn drummer in town." With the lineup solidified, Temple of Discord was ready to take the next step.

Temple of Discord entered the studio and recorded several tracks that caught the attention of Ripple Music CEO Todd Severin, who signed them for the February 2025 release of their studio debut album "In The Ashes". A new gate of heaviness has opened...

TEMPLE OF DISCORD is
Mattias Marklund - Vocals and Guitars
Jon Eriksson Warnoff - Bass
Peter Melender - Drums
Niklas Viklund - Guitars