Doom Stoner Heavy Psych

⚡️Majestic Mountain Records is stoked to present a killer, 7” vinyl release by 
Bruised Lee.⚡️
A project from Thomas V Jäger (Monolord) and Anders ‘Pompe’ Jacobson. ( El Pompero)

Together, they bring us two tracks of seventies soaked, wavy gravy, down and dirty desert rock with heavy southern style licks, rhythm and instrumentation reminiscent of Zeppelin, Allman Bros, Skynrd, and Foghat.
This little two-track 7” jammer packs a mega 70’s punch with plenty of groove to boot.

On side A, ‘Földszint’ is a languid, instrumental jam through a sticky, hot southern evening, a bottle of whiskey in a crinkled paper bag in hand.
A crunchy, crawling bassline and repeated riffing give way to wailing solo action and shuffling drums.

This jam seems like it could be a soundtrack illustrated straight out of an R. Crumb comic and its “keep on trucking” vibes carry on through the track at a hazy pace that’s remarkably easy listening and disturbingly thirst-inducing.
Head noddi’n and foot tapin’ ensues as the bop continues to undulate down to a conclusion just as natural as it began.

This track was made for summer sun and lazy lovi’n.
Side B brings us ‘It’s A Bummer’ the title of which, shouldn’t fool you.
This little slice of Friday night cruise ride heaven is a decidedly good time.
Starting off with a raunchy riff right on into bouncing basslines and swinging skins, we see much of the track as instrumental with some killer and super smoothly integrated textural atmospherics bringing us some slightly wavy psychedelic feels.
Just when we’re settling into the comedown, the last minute of the track surprisingly offers us a slightly dreamy vocal chorus from Jäger.
Groovy.

The 'Bruised Lee' 7-inch comes in
- Strictly limited to 300 copies on jet black 45rpm 7" vinyl
- Matt outer sleeve with a 3mm spine
- White inner sleeve

Tracklisting
A1: Fo:ldzint
B1: It's a Bummer

All tracks written, mixed and produced by Thomas Jäger.
Mastered by Esben Willems
Guitars, bass & percussion by Thomas Jäger
Drums by Anders Jacobson

The third album from Oslo-based Doom/Psych trio Superlynx is both a continuation of what they’ve been doing before and a further development into moods not previously explored. The tragic death of a close family member has also made a deep mark on the album.

The title of the album is a reference to Jimi Hendrix ́ way of looking at music. “He said “We call our music ‘electric church music..Because it’s like a religion to us.” And that is much like how we feel about ours. In music we find so much of what people seek in temples, religions or other spiritual forms – strength to endure trials, peace of mind, ecstasy, safety, hope, community, joy, transcendence etc. In the process of writing our third album this truth only become clearer to us. Music is our temple”

The album is mixed by multiple Grammy Award winning producer Marc Urselli, who has done sound for Nick Cave, Mike Patton, Lou Reed, Keith Richards, The Black Crowes and countless more.

Black LP. Completely NEW, never played, in original plastic sleeve and hyper sticker.

Pseudo Mind Hive are signing off with one final EP before they call it quits after an amazing run as Melbourne's premier heavy psych band.

A new breed of sonic, sludge-laden force from the mixed temperate rainforest and concrete jungle of Portland, Oregon has arrived! With a love for all that is brutal and nerdy from Dungeons & Dragons to cult horror films, extreme metal and video games, and a shared hatred of dehumanization and groupthink, VIRAL TYRANT's influences of classic Pacific Northwestern doom, sludge, thrash, black metal, doom, grunge, prog, and more have been woven cohesively together to forge a sound of complex, yet grounded blackened, psychedelic sludge. Sure to satisfy any headbanger, their goal is simple: spread their strain of metal for all to enjoy.

A new breed of sonic, sludge-laden force from the mixed temperate rainforest and concrete jungle of Portland, Oregon has arrived! With a love for all that is brutal and nerdy from Dungeons & Dragons to cult horror films, extreme metal and video games, and a shared hatred of dehumanization and groupthink, VIRAL TYRANT's influences of classic Pacific Northwestern doom, sludge, thrash, black metal, doom, grunge, prog, and more have been woven cohesively together to forge a sound of complex, yet grounded blackened, psychedelic sludge. Sure to satisfy any headbanger, their goal is simple: spread their strain of metal for all to enjoy.

The sonic bulldozer Terromania was formed in the summer of 2018 in Jyvaskyla, Finland to deliver intense, dynamic and ambitious modern Metal influenced by artists such as Lordi, Devin Townsend, Van Halen and Ghost, while also taking inspiration from modern pop and jazz and adding a fresh perspective to the genre.

The sonic bulldozer Terromania was formed in the summer of 2018 in Jyvaskyla, Finland to deliver intense, dynamic and ambitious modern Metal influenced by artists such as Lordi, Devin Townsend, Van Halen and Ghost, while also taking inspiration from modern pop and jazz and adding a fresh perspective to the genre.

Kicking off the newest Ripple series, Beneath the Desert Floor -- uncovering lost treasures and gems from the early days of stoner/desert/doom rock. Albums that may have been lost to time, perhaps never had the opportunity for a vinyl pressing, and never had the benefit of digital presence and social media. Let's unearth some of these gems and freshen them up for a new generation of heavy rock fans.


The Awesome Machine were a classic hard rock/metal band from Sweden. The band formed in 1996. Recorded their selftitled 10" with producer Roberto Laghi. After that Stefan Magnusson left the band and was replaced by Anders Wenander. With this lineup they recorded the cult demo (Doom, disco, dope, death and love) which gave them a contract with german label "People Like You". They recorded "it's Ugly or nothing" 2000 with King Diamond guitarist Andy La Rocque (who also played slide guitar on the track No Share). Other guest musicians were Anders Timmerås (keyboard on No Share) and Jörgen Petterson (harmonica on How am I to knew).

Since their formation in 2011, Gin Lady has quietly carved out their own space in the rock world, one where the echoes of classic ’70s rock are alive and well, but still very much alive in their own hands. Hailing from northern Sweden, the band has always been about more than just the music. It’s about the vibe—the tight harmonies, the groove, and that unmistakable chemistry between the four of them. Their catalogue up to now, including ‘Gin Lady’ (2011), ‘Mother’s Ruin’ (2013), ‘Call the Nation’ (2015), ‘Electric Earth’ (2017), ‘Tall Sun Crooked Moon’ (2019), and ‘Camping with Bohdi’ (2021), has been a steady evolution. Each album feels like a step forward, but it never loses that reckless charm that makes their sound so compelling.

With their new album ‘Before The Dawn of Time’ set for release in February 2025, Gin Lady is finally letting us in on what’s coming next—and ‘The Paramount’ is just the tip of the iceberg. If this track is any indication, this might be the band’s boldest statement yet. Recorded live at Sweden’s revered Svenska Grammofonstudion, ‘The Paramount’ takes everything we know and love about Gin Lady and tightens it up, while adding new layers of texture and complexity. It’s a little more psychedelic, a little more expansive, but still rooted in that same raw, earthy sound that made us fall in love with them in the first place.

SoftSun is the result of a divine collaboration between very unique and visionary musicians. Pia Isaksen and Gary Arce along with Dan Joeright come from opposite sides of the world. Vocalist and bass player Pia Isaksen grew up in Norway, while Gary Arce and drummer Dan Joeright are based in the Southern California Mojave desert.

The environments they occupy are evident in the beautifully heavy yet ethereal sound of this band. Arce’s dreamscaping cinematic guitar work gives a stark contrast of balance to the heavy melodic bass driven compositions. Pia’s voice, ethereal in nature, levitates the sound and brings a dreamlike shoegaze quality to the songs. Cocteau Twins, True Widow, Yawning Man, Diiv would be appropriate reference points for this unique approach to songwriting.

Since their formation in 2011, Gin Lady has quietly carved out their own space in the rock world, one where the echoes of classic ’70s rock are alive and well, but still very much alive in their own hands. Hailing from northern Sweden, the band has always been about more than just the music. It’s about the vibe—the tight harmonies, the groove, and that unmistakable chemistry between the four of them. Their catalogue up to now, including ‘Gin Lady’ (2011), ‘Mother’s Ruin’ (2013), ‘Call the Nation’ (2015), ‘Electric Earth’ (2017), ‘Tall Sun Crooked Moon’ (2019), and ‘Camping with Bohdi’ (2021), has been a steady evolution. Each album feels like a step forward, but it never loses that reckless charm that makes their sound so compelling.

With their new album ‘Before The Dawn of Time’ set for release in February 2025, Gin Lady is finally letting us in on what’s coming next—and ‘The Paramount’ is just the tip of the iceberg. If this track is any indication, this might be the band’s boldest statement yet. Recorded live at Sweden’s revered Svenska Grammofonstudion, ‘The Paramount’ takes everything we know and love about Gin Lady and tightens it up, while adding new layers of texture and complexity. It’s a little more psychedelic, a little more expansive, but still rooted in that same raw, earthy sound that made us fall in love with them in the first place.

Since their formation in 2011, Gin Lady has quietly carved out their own space in the rock world, one where the echoes of classic ’70s rock are alive and well, but still very much alive in their own hands. Hailing from northern Sweden, the band has always been about more than just the music. It’s about the vibe—the tight harmonies, the groove, and that unmistakable chemistry between the four of them. Their catalogue up to now, including ‘Gin Lady’ (2011), ‘Mother’s Ruin’ (2013), ‘Call the Nation’ (2015), ‘Electric Earth’ (2017), ‘Tall Sun Crooked Moon’ (2019), and ‘Camping with Bohdi’ (2021), has been a steady evolution. Each album feels like a step forward, but it never loses that reckless charm that makes their sound so compelling.

With their new album ‘Before The Dawn of Time’ set for release in February 2025, Gin Lady is finally letting us in on what’s coming next—and ‘The Paramount’ is just the tip of the iceberg. If this track is any indication, this might be the band’s boldest statement yet. Recorded live at Sweden’s revered Svenska Grammofonstudion, ‘The Paramount’ takes everything we know and love about Gin Lady and tightens it up, while adding new layers of texture and complexity. It’s a little more psychedelic, a little more expansive, but still rooted in that same raw, earthy sound that made us fall in love with them in the first place.

Temple of Discord began as Mattias Marklund's personal creative outlet in 2017. Mattias was writing songs for Aska (later known as Wytch) at the time, but some compositions felt too personal and diverged from the band's established style. Rather than setting those tracks aside, he channeled them into a solo project, which would eventually become Temple of Discord. With the help of drummer Benny Hägglund (Vintersorg, Fission), Mattias recorded the first demo track, "The Calling". While he had been playing guitar in bands since the late 1980s, this marked the first time he stepped into the vocalist role, adding another layer of intimacy and individuality to his music.

Fast forward to the pandemic years: Wytch entered a period of dormancy, and fellow guitarist Niklas Viklund revisited Mattias's Temple of Discord material. Struck by the strength and uniqueness of the songs, Niklas encouraged Mattias to transform the project into a full-fledged band. The two quickly brought in bassist Jon Ericson Warnoff, with whom Niklas had previously played in Stardog. Recognizing Jon’s chemistry and talent, they knew he was the perfect fit for the group. With Benny unavailable due to scheduling conflicts, the search began for a drummer who could complete the lineup. They found their match in Peter Melender, whom Mattias’s father recommended as "the best goddamn drummer in town." With the lineup solidified, Temple of Discord was ready to take the next step.

Temple of Discord entered the studio and recorded several tracks that caught the attention of Ripple Music CEO Todd Severin, who signed them for the February 2025 release of their studio debut album "In The Ashes". A new gate of heaviness has opened...

TEMPLE OF DISCORD is
Mattias Marklund - Vocals and Guitars
Jon Eriksson Warnoff - Bass
Peter Melender - Drums
Niklas Viklund - Guitars 

Temple of Discord began as Mattias Marklund's personal creative outlet in 2017. Mattias was writing songs for Aska (later known as Wytch) at the time, but some compositions felt too personal and diverged from the band's established style. Rather than setting those tracks aside, he channeled them into a solo project, which would eventually become Temple of Discord. With the help of drummer Benny Hägglund (Vintersorg, Fission), Mattias recorded the first demo track, "The Calling". While he had been playing guitar in bands since the late 1980s, this marked the first time he stepped into the vocalist role, adding another layer of intimacy and individuality to his music.

Fast forward to the pandemic years: Wytch entered a period of dormancy, and fellow guitarist Niklas Viklund revisited Mattias's Temple of Discord material. Struck by the strength and uniqueness of the songs, Niklas encouraged Mattias to transform the project into a full-fledged band. The two quickly brought in bassist Jon Ericson Warnoff, with whom Niklas had previously played in Stardog. Recognizing Jon’s chemistry and talent, they knew he was the perfect fit for the group. With Benny unavailable due to scheduling conflicts, the search began for a drummer who could complete the lineup. They found their match in Peter Melender, whom Mattias’s father recommended as "the best goddamn drummer in town." With the lineup solidified, Temple of Discord was ready to take the next step.

Temple of Discord entered the studio and recorded several tracks that caught the attention of Ripple Music CEO Todd Severin, who signed them for the February 2025 release of their studio debut album "In The Ashes". A new gate of heaviness has opened...

TEMPLE OF DISCORD is
Mattias Marklund - Vocals and Guitars
Jon Eriksson Warnoff - Bass
Peter Melender - Drums
Niklas Viklund - Guitars 

Part III - The Bodiless, is the 3rd Cavern Deep album, as well as the 3rd album and final album in Cavern Deeps concept album trilogy that started with the bands debut self-titled album. 

The album is the most grand and expansive album in the series so far. It features Marty from Slomatics as the vocalist of the title track “The Bodiless”, and Martin Ludl on saxophone playing on the track “Moskstraumen”.

The vinyl is a 140g 12" with a black sleeve and an insert. A Bandcamp code is included and the vinyl is delivered in a protective sleeve. 

The concept synopsis is as follows:

The Bodiless
The transformation is complete. It enters the ungodly realm through the pulse, now without physical form. A shimmering image of nerves, energy, and vibrant rage moves through starless space. The bodiless is greeted by the never-ending hordes of shapeless beings, awoken for the sole purpose of ending its journey. They will all perish.

Queen Womb
Traveling between nodes of passage, covering the vast distances of void, the queen rises. Its children disintegrated, now itself decaying. Facing the bodiless with the desperation of a grieving mother, it unleashes a spewing tidal wave of pure hatred. It is futile. The struggle is short. All that remains is an empty husk. A floating dead mass.

Putrid Sentry
Enter the looming watcher of the outer rims, the putrid one. Bestower of unfathomable grief. The commander of a million shapeless minions now gone. It spreads its dark, suffocating energy across the vastness, like a mighty bellow. It wants to consume all. The bodiless seeps into its veins like a lethal promise, soon rendering its deadly cloak pierced and useless, shattered throughout dead space.

Moskstraumen
The bodiless slowly drifts into the maw of the maelstrom. Almost depleted. Nearly spent. Soon its purpose is fulfilled. This is the cradle of prime evil. As the ancient swirling mass begins to gnaw away at every ethereal nerve ending of the bodiless, its final offering is released in its full glory: the last light. Burning. Consuming. The grip on the entire realm withers away as the great whirlpool bellows in dying agony.

Galaxies Collide
As oozing wounds of ungodly matter bleed out and fade, space itself starts to crumble. Violently colliding with itself, tearing rifts in the very fabric of existence. The bodiless is pulled towards the dead black center of it all. The eye of the storm. Drifting to sleep. In peace. Flickering like a dying lantern.

Full Circle
The fail-safe. The curse. The testament. The bodiless is sucked into the deep at the center of the chaotic collapsing reality surrounding it. It is trying to draw breath. It is becoming. Images are rushing back like an unstoppable flood. There is flesh... One archaeologist and 49 brave men stand at the gates, staring down into the bowels of the mountain. It is time to begin the descent.

This is limited edition release printed in few copies.

The album is printed on 12" swirl in red and black vinyl as well as red vinyl. There's an insert included with all the lyrics of the album, as well as some extra art.

Bringing together a wealth of experience from diverse musical backgrounds, the dynamic trio of long-time friends united forces to birth Möuth in the fall of 2023. Infusing their passion for proto metal, psych, doom and alternative rock with a flair for skillful song-craft and a rebellious punk ethos, Möuth crafts a potent blend of raw energy and refined artistry. Their debut album, 'Global Warning', delivers a sonic onslaught of themes ranging from personal liberation to societal critique, all underscored by Möuth's signature fusion of directness and sophistication.

 This Summit Fever, the riff-worshipping fuzz rock duo, is set to unleash their self-titled debut album on April 4, 2025, via Majestic Mountain Records. With a sound that sits comfortably between Fu Manchu, The Melvins, and Queens of the Stone Age, the UK-based duo delivers a raw, high-energy mix of fuzz-drenched riffs and thunderous grooves, proving that two people can make a mountain-sized sound.

Hooks Edition
12" 180g heavy-weight vinyl
Light blue and silver merge with black and red splatter
Comes in a standard sleeve
Poly-lined innersleeves.
Vinyl ships outside the sleeve
Limited to 150 copies

Breathe Edition
12" 180g heavy-weight vinyl
Black + white butterfly effect (First time for a Majestic Mountain Records release)
Comes in a standard sleeve
Poly-lined innersleeves.
Vinyl ships outside the sleeve
Limited to 150 copies.

Please note, these are just mockups - the final design could look quite different!