Heavy Psych Sounds Records

NEW BELZEBONG! Pre-order! Official release February 20th!

The skies crack, the world coughs, and the smoke clears only to reveal the end. From the depths of the riff-choked void, Belzebong return with a new sermon for the final days — The End Is High. Recorded and mixed by Satanic Audio @ Sound of Records, this new chapter drags you deeper into your doom — where the incense burns green, and time moves slower than death itself. This is the soundtrack for the final procession. No salvation. No redemption. Bong. Fire. Death

REPRESS of the highly acclaimed album in brand new coloured vinyls.

After the mind blowing success of the Witchcraft’s album Legend, 2012, mastermind Magnus Pelander out did himself with “Nucleus”. Combining what made its predecessor the modern classic it quickly became with elements of the band’s earlier days, “Nucleus” is a melancholic, raging, fragile, melodic and at times noisy masterpiece between classic rock, doom and ambient music.

With an all new line-up (Rage Widerberg on drums and Tobias Anger on bass) the band sounds more hungry and powerful than ever. In combination with the thrilling, yet very down-to-earth production by Pelander, Philip Gabriel Saxin and Anton Sundell, “Nucleus” throws you in dreamy sonic landscapes that will mesmerize and haunt you alike.

Pre-order! Album releases March 6th!

With their latest body of work, Desert Storm carve out a sound that is as primal as it is progressive—melding sludge, doom, and heavy metal weight with moments of softness, space, and surprising vulnerability.

Across these tracks, the band summon the wilderness, ceremony, and chaos of the human condition, pushing their sound into new territories while staying true to their instinct for heaviness.

Pre-order! Album releases March 27th!

Approaching Doom is the third album by Monsternaut, a darker and heavier representation of the band’s established devotion to groovy riffs and to the point compositions. The songs took shape over several years, during which the arrival of a new drummer opened the door to more adventurous rhythms and riff ideas, pushing the band into new territory while staying true to their roots. Sonically, the album leans toward the grit and weight of early 90s metal rather than polished modern production, giving it a raw and immediate edge. Its lyrics and atmosphere follow a naturally darker direction as well, adding an extra layer of tension beneath the grooves. Recorded entirely the old fashioned way, straight to analog tape with no digital editing, it captures the band playing as they are, relying on performance, chemistry, and feel rather than correction. The result is a record that hits harder, feels more focused, and marks a confident new chapter in Monsternaut’s evolution.

NEW WEESPECKER! Pre-order! Official release February 27th!

I started writing the songs for V at the beginning of 2023, and the demos were finished by the end of that year. While creating this material, I kept returning to one thought: everything we take for granted — everything that feels stable and permanent — is, in reality, incredibly fragile. Nothing lasts forever, and the sense of things slipping away can hit much sooner than we expect. I tried to translate those feelings into sound. At that time, a lot of difficult things were happening in my life, things I didn’t know how to cope with. Music became a form of therapy — a way to process emotions I couldn’t express in any other way. In early 2024, we began working through the songs together as a full band. After finalizing the arrangements, we spent the rest of the year recording them. The process stretched over many months, split into several sessions across different studios. I didn’t want to rush anything. I wanted, as always, to refine every detail the best we possibly could. Soon you’ll be able to hear the result for yourselves. For me, this album is something deeply personal. It’s an act of opening up to anyone who chooses to listen — a glimpse into things I can’t fully describe with words, into what I felt and who I became during that period. I’m incredibly happy that together with my friends from the band, we’ve created another record. What comes next… time will tell.

PRE-ORDER! OFFICIAL RELEASE FEBRUARY 6TH!

REMASTERED version of the Earthless epic live at Roadburn 2008 in brand new coloured vinyl.

“This double gatefold LP, recorded at Roadburn Festival in 2008, celebrates the psychedelic powerhouse that is Earthless in all their mind-splitting live glory. In fact they put in one of the best live performances I’d ever seen.” - The Sleeping Shaman

Repress with new cover color

'Keep Your Cool' is the third solo album by the Kyuss- and Fu Manchu-legend, originally released back in 2003 with Duna Records. Full of the soul and funky laid-back grooves BRANT BJORK is known and loved for, tongue-in-cheek lyrics and sweet guitar licks oozing from the great 70's era vibes, 'Keep YourCool' is still considered as one of BRANT BJORK's accessible and catchiest records to date. Tracks such as 'Hey, Monkey Boy', 'Johnny Called' or 'Gonna Make The Scene' became classics in the stoner rock scene, taken from an album that belongs to every well-sorted BRANT BJORK record collection.

“I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005.

Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.”

New album cover by Maarten Donders.
Remastered by John McBain !!

Apollo is the Nebula 4th full lenght released in 2006. Heavy Psych Sounds is proud to reissue this album in brand new coloured vinyl versions.

“'Blues rock' has been invented over and over again and Nebula are the persistent 'stoner' gale though 'Apollo' is only their fourth album in seven years. Labelled under many old styles, Nebula's blasts from the past yet offer more fresh new party crackers.

The Nebula sound is drenched in oily sonics dug up from Muddy Waters and on 'Apollo', Nebula don't shy away from resemblances among others to Rory Gallagher and Slade. Grunge parents and their children will love this album to bits.

One of 2006's highlights will prove to be this Nebula track called 'Future Days' from this truly intoxicating 'Apollo' album. Though 'Apollo' is fairly consistent, a few tracks stand out because of the immediate appeal - to be specific that's the 10/10 note down in my book. 'Apollo' is in fact the epitome of retro but the album leaves no room for any further discussions of the past.

'Future Days' features the bleating of sheep melted in to some of the most gorgeous guitar licks of today. Spoiling you with superlatives with good reason; 'Apollo' includes both the method for an off-licence brain surgery as well as the means for a fully registered permit to go ape. You just won't get an easier lobotomy than from 'Apollo'.

The music may go back 30 years or more but through some magical mystery resurfaces with excellence. If the demand is for blues, rock, stoner or whatever comes off strings, skins and from throats, then Nebula probably play that type of joyful sleaze better than any other band these days.”

- Maarten Schiethart

HEAVY PSYCH is Nebula fifth album released in 2009. Heavy Psych Sounds is reissuing this gem in brand new coloured vinyls.

Album opener ‘Pulse’ is the quick, necessary burn of waste paper at the very tip of the joint; in itself, wholly unremarkable, but nonetheless enthralling purely on the basis that it leads the way to much, much better things. Phased guitarscapes, and hollow, echoing vocals, swirling in misshapen musical clouds that breeze through ‘The Dagger’ and just as that first real hit of Morocco’s finest clamps onto your grey matter, ‘Aphrodite’ kicks in. Dirty, sleazy and sexual, Eddie Glass’ whiskey soaked and strained voice oozes between caterwauling guitars and incessant, bludgeoning kick drums — the part of the joint you savour the most; the reward and further promise combining in a moment of sheer perfection. (from www.thequietus.com)

Desert Psychedelic Fuzzsters Nebula are back with an incredible new album!!
8 tracks of pure Fuzzness recorded by bass player Tom Davies and produced together with the mastermind Eddie Glass in the Mojave desert !
It's the classic Nebula sound: walls of guitars, riffs that come from outer space, melodic vocals matched with desert grooves...you couldn’t ask for more.

The band spent the last 6 months in the studio alone recording and mixing this new Psychedelic Stoner Rock gem!
TRANSMISSION FROM MOTHERSHIP EARTH is coming out on Heavy Psych Sounds Records July 22nd as the official soundtrack of your summer!

Nebula's first non-EP, full-length release, To the Center is another retro-psychedelic heavy rock platter, long on stripped-down riff muscle and surprisingly technically adept guitar jams. The results sometimes meander, which probably isn't of much consequence if this brand of metal is your bag, since this is what you'd expect in this perception-expanding context. What matters more than tightly structured songs are riffs and atmosphere, and both of those are present in abundance.

To the Center was released in 1999 on Sub Pop. The album has much more of a progressive/psychedelic sound to it than most of the band's other albums. Produced by Jack Endino & Nebula. Engineered by Jack Endino and ercorded at Hanzsek Audio, Seattle, April 1999.

Heavy Psych Sounds is now repressing this gem in new coloured vinyls.

Between records like Relentless and Show ‘Em How, Pentagram have never wanted for self-awareness in terms of album titles. The gauntlet thrown down by Lightning in a Bottle is very much in this tradition.

The 10th Pentagram album sees founding frontman and doom figurehead Bobby Liebling leading a new cast of players that includes guitarist/producer Tony Reed (Mos Generator, Big Scenic Nowhere, etc.), drummer Henry Vasquez (Legions of Doom, Saint Vitus, Blood of the Sun, etc.) and bassist Scooter Haslip (Mos Generator, Saltine). It would be hard to overstate the energy the new band brings to songs like “Live Again,” “Solve the Puzzle” or “In the Panic Room,” but Lightning in a Bottle is unmistakably a Pentagram record, of course in Liebling’s unremittingly charismatic performance and the groove conjured to back it.

Recorded with Reed at the helm, Lightning in a Bottle recalls the best of what has allowed Pentagram to cast an influence across decades and generations of musicians, bands, and worshippers of Riff, and as just their third studio release in the last 15 years, it’s not a moment to neglect as they dig into a cut like “Dull Pain” or “Lady Heroin,” the latter of which is a naked reconciliation on the part of Liebling with a lifelong addiction to opiates that’s become an inextricable part of the Pentagram story. As he wonders in the lyrics, “Lady Heroin, have I seen the last of you?” it becomes difficult to know whether the separation would be through sobriety or death, and that ambiguity becomes part of what makes the song so striking.

It’s not all brooding, even if it is doom. “Thundercrest” is brash and the nodding title-track brings to mind past glories without actually reliving them. The central message, any way you want to look at it, is that no matter how much the band has been through over the last half-century-plus, they remain a singular force. Lightning in a Bottle might not be the first Pentagram reboot, but it brings fresh ideas and dynamic to one of doom’s most classic, formative acts, and as soon as you hit play, the band absolutely own the moment of their own making.

"Jalamanta was a life changing record for me. Its the record that launched my journey as Brant Bjork. Listening to the tapes 20 years later was amazing. Tony Mason and myself were transported back to that moment in time.
Jalamanta was a first for both Tony and myself. My first record as a solo artist and his first record as an engineer. We didnt think twice about re-mixing it. With our combined experience over the years, we knew we could take Jalamanta to the place we always wanted it to go..and we did. Dig it."
- Brant Bjork

“Violence Dimension is our 7th full length release. We have come quite a distance in time and space since we released Horseback in 2010. One thing that binds us all is violence, be that within a video game, or in a movie or on the daily news. Violence affects our daily life, perhaps more than love or kindness ever will. We are all bound by death, whether we like it or not. This release explores the hinterland between being scared to live and bring scared to die, and punches holes in the idea that we must live our life by one set of rules. We all live in the violence dimension, and there is no escape.”

REISSUE of Conan legendary second album Monnos in brand new coloured vinyls.
Monnos was Conan's second album and helped them to stake their claim to the heavy music elite.

Six tracks of uncompromising heaviness that just won't give in.

Seven years after their last release (Helltown, 2018), Electric Citizen returns with their fourth album, EC4—a powerful statement of renewal and raw energy. Written by Ross Dolan with contributions from the full band, the album was meticulously crafted over several years and recorded with Mike Montgomery and John Hoffman at Candyland Studio in Dayton, KY. The album was mixed by Collin Dupuis (Lana Del Rey, The Black Keys) in Detroit and mastered by JJ Golden at Golden Mastering in California. The album art was created by Neil Krug (Lana Del Rey, Tame Impala, Weyes Blood), who the band worked with for their first album, Sateen. Now signed to Heavy Psych Sounds, the band is ready to unleash their most potent work yet—a fusion of hypnotic grooves, searing guitars, and Laura Dolan's mesmerizing vocals. EC4 is both a homecoming and a rebirth. Electric Citizen is back!

REPRESS of the legendary debut EP in brand new coloured vinyls.

The great thing about this EP is that it takes all these 70s influences and makes, dare I say it, something just as amazing, if not even better! I only have one real complaint: It's too short. Four songs, just over 15 minutes. Is it worth it? Fuck, yes! (Doom-metal.com)

REPRESS of the legendary debut EP in brand new coloured vinyls.

The great thing about this EP is that it takes all these 70s influences and makes, dare I say it, something just as amazing, if not even better! I only have one real complaint: It's too short. Four songs, just over 15 minutes. Is it worth it? Fuck, yes! (Doom-metal.com)

Repress of the Orchid second full length in brand new double gatefold coloured vinyls.

Strong riffs, a tight rhythm section and psychedelic background guitar passages are the first things that come to mind when trying to describe how the album sounds. Theo Mindell’s voice bears some resemblance to Blackie Lawless’ and while W.A.S.P. isn’t the first band that comes to mind when thinking of doom metal and stoner rock, his voice fits the music perfectly. The production is spot-on, guiding the listener’s thoughts to the sound of Master Of Reality while still sounding modern. (metal-archives.com)

REPRESS of the debut full length in brand new double gatefold coloured vinyls.

Even if the music is not very complex, you can see from miles away that Orchid are fairly good musicians. "Capricorn" is not only very different from the modern metal albums, but also has a character of its own. You would be able to say which song is which after just one listen. Recommended for fans of Black Sabbath, Graveyard, and Saint Vitus. (metal-archives.com)

Margarita Witch Cult captured lightning in a bottle with their 2023 debut- a blink-and-you’ll-miss-it behemoth that saw the band thrash and burn through Europe and the UK, picking up legions of fans and touring with the likes of Cancer Bats, Monster Magnet and Nebula.
Now, the Birmingham trio are set to pick their teeth with the bones of their own past- as their second LP ‘Strung Out In Hell’ takes everything that was so compelling about their debut and turns the knob up to 11; rips off the knob; throws the knob into the fires of hell and cackles maniacally in the wake of its demoniacal glory.

From top-to-tail, ‘Strung Out In Hell’ is a cloven hoof to the chest; a dizzying descent through infernus. It will caress you only to chew you up and spit you out. It is the soundtrack to the afterparty of all life on earth. Succumb to its sordid siren song. Bolder, stranger, and downright more mean, there’s no better time to jump on the Margarita Witch Cult train- and it’s going straight down, fast.

Release date September 19th

"Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel’s doom falls in line with traditional acts like 70’s era Pentagram and Saint Vitus’ more rockin’ moments, which is to say, a fine thing indeed"
- Metal-Rules